It has been an interesting week of rest and work. Binding work is in a stage of waiting for materials to arrive, I have been able to move ahead on some metal projects both in and out of the studio. I went into the city Wednesday to meet with a couple of companies that do large scale metal work to talk about costs and techniques for making some larger bowl shapes that I would chase and assemble before returning it to them for finishing. As I was leaving their shops, I passed by a storefront that had mirrors in the entrances. It reminded me of a self portrait I took one late September afternoon in Croydon over 25 years ago. I was struck by the similarities of the mirrors and lighting and had to make the portrait again.
I also visited my caster on 46th street because I noticed there were problems with the last mold I had them make for me, the silicon deteriorated while they were injecting the waxes and the insides of the bezels that were cast, were marked with excess silver that prevented me from setting the stones inside them. I spent part of Saturday cleaning a new master for them to make another mold with a new orange colored silicon that should be stronger and provide cleaner castings.
Colman and I had tickets for Carnegie Hall Thursday night for the last in our series of Virtuoso Pianists. We left Tysen Street around 5:00, entering the Ferry terminal, we saw that the sun was casting long, low rays into the terminal, lighting the new aquariums in a way we hadn’t seen them before. In the bright light the gaudy, fake coral reef looked better than it had before and it was reflected on the inside of the aquarium.

Here are some of the fish I was watching while we waited for the Ferry.

This fish is about 8 inches from nose to tail, its blue markings couldn’t be brighter if they were electrified neon.

Once were on the Ferry we began to see the effects of the high winds the weathermen had forecast, the water was brown, with whitecaps and deep wells between the waves. The ferry windows were spattered with sea spray. As we passed Governor’s Island, we could see that the Queen Mary II was in her Brooklyn berth. I am astounded by how large the ship is, even at this distance it towers above 5 story buildings on the island.

On the return trip after the concert we met our neighbor Denise in the Manhattan Terminal, she was with her sister Leslie and a friend, Spencer who was visiting from New Hampshire. It was Spencer’s birthday and Denise had planned a small party for the trip back to Staten Island. Once we were settled on the boat, she brought out two exquisite, small cakes from a Lower East Side bakery (whose name escapes me for the moment) plates and forks. The conversation and cakes made for a pleasant ride home after another disappointing concert.
Friday morning we awoke and found that more large branches had fallen in the fierce winds Thursday night. A smaller branch had fallen right in front of the green house, the large branch broke our only rose bush in the back yard. Gary will help me saw the branch into pieces that will be picked up later this week. The chain link fence prevented real damage to Gary’s azalea.

These are the silver pieces I have finished building this week. First, there is this piece, intended to be used as a decorative element for hat bands and belts. Here it is with some of the idea drawings. I have decided to have a mold made without attachments, that way the castings can be used as belt pieces, pendants or pins by adding the appropriate attaching hardware. The surfaces are unmarked as I intend to personalize each casting by chasing textures, lines or small circles to enrich the cast pieces.

These are the other pieces I have finished building; a pair of cuff links, a new scarf slide with a ’safety’ stick pin, a seven stone bracelet and the belt piece square. There’s also the cleaned piece for the new mold which is intended for necklaces and bracelets and a shield shaped piece that I will make a mold for in my class next Thursday. While making the scarf slide, I got annoyed with not knowing which gauge of metal and what length of wire would produce the size of silver balls that I needed. So, I cut wires in specific lengths ( I have a cutter on which I have engraved marks to an inch, in quarter inch increments, for ruler-less snipping) from each of 4 gauges of wire, then I made the balls and soldered them to a piece of copper sheet for a permanent reference, that’s in the right side of the photo. Three of these pieces these pieces will go into a polishing machine for a starting polish, then I’ll set stones, burnish the bezels and give them a final polish with some rouge. The other three are intended for mold making.
